Navzar Eranee was born in Mumbai in 1985. An Air India baby, both his parents were flying for the airline when they met and fell in love. In the early ’70s till 2008, his parents were exposed to a world outside our shores, long before the age of the Internet. Being avid travellers, they saw a world they loved, and they philosophically practiced living on both sides of the coin. Traditional values were met with exposure from faraway lands. Liberal thinking was a part of their created culture, and the groundwork was laid for the philosophies of their children. Often having no ground rules, Navzar and his brother Farzan would find themselves less bound. Physically gifted, they channeled their energy through sport, excelling at everything they touched.

Naughty to a point of disaster, they were both grounded by some basic principles. His parents (who served as cabin crew) inculcated the idea of service and gratitude as the highest honour of work than one can do. Good thoughts, good words and good deeds were ideas his father would whisper into their ears. His mother, the strength behind all three men, would always lead by action and example. They lived in her grace. Often shy and quiet, Navzar found himself a keen observer.

Michael Andrews embarked on his creative journey by studying Visual Communications at Loyola College, Chennai, where he completed his degree in 2002. Over the subsequent decade, he gained extensive experience by collaborating with prominent advertising directors. Initially, he worked closely with director Rajiv Menon in Chennai from 2004 to 2008, which significantly shaped the beginnings of his career. Following this, Andrews joined director Shujaat Saudagar as an Associate Director, where he contributed to a diverse range of projects, starting in 2008.

In 2013, Andrews took the leap into independent directing and also served as second unit director on the feature film Rock On 2 (2016) & the critically acclaimed web series Bambai Meri Jaan (2023).

His rich background in various facets of the industry is evident in his work, which spans multiple genres with a sophisticated grasp of the craft. Known for his ability to blend striking visuals with nuanced emotional undertones, Andrews excels in both storytelling and working with high-profile actors, demonstrating a versatile and refined approach to filmmaking.

Mikhail started honing his creative style as a painter and a fine arts student in college (University of the Arts, London) but it was after discovering street photography as a freshman, that he quickly switched his major to film and began a new chapter in his journey of visual storytelling.

After completing college in 2012, Mikhail worked as an Assistant Director at Dharma Productions and as a Director’s Assistant in advertising for two years before embracing a more hands-on approach to all the projects he worked on. It set into motion a philosophy that sticks with him today, that no project or job is too small to learn and grow. Over the next few years he worked in some capacity in almost every department on a film/TV commercial set. He immersed himself in the production – learning the backbone of filmmaking, camera – learning the medium to capture storytelling, editing – learning the craft to succinctly tell stories & direction – the captaincy of it all. This experience laid the foundation that formed his sensibilities not only in a creative sense, but as the person he was becoming.

Drawing from a rich and diverse set of influences, Mikhail has a unique visual approach, that at its core is driven by layered narratives. Ultimately that is his goal, to tell inspiring stories like the ones that had a profound impact on him.

As a kid, Wesley always had her nose buried in a book. She fell in love with myriad stories not realizing that she was also falling in love with world building, structure and the power of the written word. Next came the movies, not refined world cinema, but movies. The heightened emotions of Bollywood film were a whirlwind waiting to sweep her up in its arms.

Every Saturday her dad would take the family out for a late night show. Wesley entered this fantastical world half asleep and safe to say, she never left. Sleepy, dreamy eyes lost in make believe opened her up to a bigger world than she had ever seen. When you look back and join the dots, this is probably where it started, when the proverbial bug bit.

Over the years, Wesley has dipped her toes in various aspects of filmmaking – starting out as a casting intern, then associate producer and producer. Eventually finding her way to assisting and directing.

Someday she hopes to tell stories that makes someone feel seen, that bring a smile to someone on a difficult day and a chuckle on a day that’s already been fucking great. And maybe, just maybe, she’ll make some kid somewhere learn to dream for the first time. Let’s do it.